KASA created four permanent interactive exhibitions that will foster visitor engagement and learning on many sensory levels.
Ragged Edge checks in with an unusual, even quirky, rebrand for Qbic, a series of affordable hotels that celebrate individuality and welcome character.
Here Design approached the design for the new whiskey packaging like book covers, telling tales of human character, endeavor and craft.
Love conquers all! That is the hope behind Rule29’s new online community called LEO, whose mission is to encourage acceptance and love as an antidote to the divisiveness that surrounds us.
Stitzlein Studio developed a warm and human brand identity for Cloudera, a rising data analytics firm, in an industry known for unemotional marketing.
To introduce a sophisticated chilled coffee, Chen Design Associates utilized abstract watercolor play inspired by the nuanced notes of single origin, estate-grown coffees.
For the past eight years, Isley Designers has worked with TEDMED to develop distinctive visual approaches for their annual gatherings, interpreting each year’s theme in a unique way.
Frank Collective recently completed a comprehensive branding effort for “Flex” and “Flourish,” two new additions to the PopCorners line of air-popped snacks.
SJR recently designed and built a Time Machine to deconstruct the modern relationship between man and screen. Instead of snacks or drinks, it vends moments of time and experience.
Chase redesigned the X2 brand from the ground up with the goal of capturing the natural flow of energy that X2 delivers.
UNO Branding (UNO) is proud to announce the new brand identity of The Smithsonian Latino Center, (SLC) a center that promotes Latino presence within the Smithsonian.
This second edition of the massively popular original book features hundreds of new images and content.
The ABA worked with marketing agency Finn Partners, which Rives said went through dozens of possibilities before recommending the new logo design.
Flexibility and intuitive thinking were key to Coe Designs collateral for Skaggs Graduate School, part of Scripps Research.
PRINT® 19, slated for October 3-5 at Chicago’s McCormick Place North. Registration is now open for the industry’s most comprehensive and longest running event, and Nicholas Thompson, editor-in-chief of Wired, will set the tone with a keynote address.
That unicorn you’re looking for probably doesn’t exist. So says Diane Domeyer of The Creative Group, who advises an open mind and a flexible approach.
Ruche, a creped premium text and cover, is winning attention across North America from designers, printers, merchants, retailers and packaging converters/printers.
Anthony Wood argues that, yes, one can get graphic design on the cheap; but, just because you can doesn’t mean you should.
A free Customer Success Kit from Red Paper Plane presents ideas for using easy, engaging, dimensional direct mail designs. The entire process is online and, with dozens of templates to choose from, all you have to do is design.
A complete brand world was developed to support the new rebrand including apparel, outdoor lifestyle utilitarian goods, tap handles, truck wraps, on/off premise collateral and more.
Custom-Designed Font Family, Alibaba Sans, Opened to Alibaba Partners and Customers at No Cost to Power On-Brand Designs.
Virgin Atlantic will replace its traditional emblem — an Alberto Vargas-inspired pin-up girl — with a diverse range of people who better represent ‘modern Britain’.
Digital experience agency INPHANTRY has promoted Regi Jacob to Creative Director. He previously held the position of Associate Creative Director since 2017.
Post Typography created a provocative promotional campaign for a lecture series on art, race, and social justice at the Baltimore Museum of Art