Aer Lingus’ new brand livery reflects the airline’s position as a modern and contemporary Irish brand. The refresh comes more than 20 years after the previous brand change.
With help from Pentagram, Mastercard has dropped its name from the familiar interlocking circles brand mark. The goal is to become a symbol brand like the Nike swoosh, Target bullseye, and Apple apple.
Acclaimed designers Sagmeister & Walsh explore the essence of beauty and the transformative power of beautiful design.
Burns Group develops a witty “Anything But Flat” campaign for Pura Still, a still spiked water, that lauds the lack of bubbles.
Boston-based Toth+Co has appointed Kimberlee Eten as Creative Director to lead its teams in Boston and in New York, where she is based.
To advance Comedy Central’s new branding mantra, Everything Is Content, loyalkaspar created simplified concise language tailored to platform and user, supported by the Comedy Sans custom typeface.
Pentagram’s environmental graphics for Scholastic’s corporate headquarters celebrate iconic children’s book characters in a series of artworks and installations.
Character helps electronics company Palm launch a new smart device that ditches the bells and whistles of smartphones in favor of a minimalist phone that encourages fewer distractions
Chermayeff & Geismar & Haviv create the branding for Hitco, a new entertainment label dedicated to producing chart-topping music.
Branding agency Soulsight has created Soul-Lab, a non-traditional, lounge style, consumer qualitative research facility for focus-groups, collaborative brand workshops, brainstorms and break-out workspaces.
Alexander Isley helps Philo Ridge Farm, a diversified working farm that integrates livestock, orchards, gardens and community events, to develop a brand and identity system that spreads the word about their mission.
The refurbished Marlins identity is energetic and vibrant in ways that uniquely represent the Miami community, with a focus on looking forward toward the future.
For it’s third volume, DROME magazine worked with acclaimed creative director William Richmond-Watson on art direction, as well as creative development, strategy, positioning and identity.
Wired’s 25th anniversary cover balances the tension between past and present with a grid made from past magazine spines. Original designers Plunkett + Kuhr were brought in to create the celebratory one-off cover.
As the dining market has become increasingly competitive, Interbrand is helping Buffalo Wild Wings maintain its position as the sports bar for game day experiences.
Chermayeff & Geismar & Haviv have redesigned the logo for Animal Planet network to make it more appealing globally and more adaptable for digital applications.
Our 32nd annual Stock Visual Reader Survey reaffirms that almost everyone uses stock imagery, is using more of it, and is mostly satisfied with its quality, quantity and direction.
A new “bridge of hope” brand and positioning by Starfish for ADL clarifies and elevates the organization’s 21st century mission.
DuPont’s new branding by Lippincott preserves the legacy shape of the DuPont Oval but emphasizes a freer flow of ideas and innovation.
To mark Mailchimp’s new era of growth, COLLINS has doubled down on the spirit of humor and playfulness that marks Freddie the chimp.
A collaborative effort between Wolff Olins, the Uber Brand Experience Team, and MCKL Type Foundry results in a more modern and friendly look for the global mobility company.
Desire By Design is a new book by industry veteran Jean-Pierre Lacroix which explains how to drive desire for a brand.
Chermayeff & Geismar & Haviv designed a new identity for Arthur Ashe Stadium, home to the recently concluded US Open Tennis Championships.
UNO Branding has executed the office graphics and branding of Manitoba Harvest’s new office space in Minneapolis.