A collaborative effort between Wolff Olins, the Uber Brand Experience Team, and MCKL Type Foundry results in a more modern and friendly look for the global mobility company.
Chermayeff & Geismar & Haviv designed a new identity for Arthur Ashe Stadium, home to the recently concluded US Open Tennis Championships.
Northwestern University’s Block Museum examines the trailblazing Goldsholl husband and wife design team who had great influence on mid-20th Century advertising and design.
The Butler Bros creates a brand for Austin’s prospective Major League Soccer team that focuses on iconic symbols of the city and the color green.
Young & Laramore created a social media-first campaign for Goodwill of Central and Southern Indiana that asks local artists to transform donated garments into their own unique designs.
SVA presents Graphic Design in China, a juried biennial that aims to showcase the growth of Chinese graphic design to an international audience.
C&G Partners has created an engaging visitor experience at Ample Hills Creamery factory in Brooklyn complete with a self-guided tour of the ice cream making process.
San Francisco-based Tolleson helps position and brand Lucid Motors as a new kind of luxury vehicle. The logo is intended to reflect the car itself: sleek, modern and elongated.
A new exhibition at Cooper Union in New York City offers a timely reconsideration the women’s movement through graphic design and diverse artifacts.
Carey Jenkins is the first female CEO at Seattle-based Substantial digital agency and she hopes it sends a message.
Jovenville designed marketing materials for the annual Concert For Recovery sponsored by MusiCares and the GRAMMY Foundation.
A new logo and Identity for Buzzfeed News, a serious news spinoff from the parent, looks newspaper-y and is executed inhouse.
San Francisco-based branding and design agency Character adds new partners and ECDs for East Coast launch that includes a next generation office space in (where else?) Brooklyn.
Elysian Brewing Company unveiling of murals across the U.S. under the umbrella of a “Making Mischief” campaign.
ESI Design transforms an historic office building into a workplace for 21st century companies, while paying homage its original character and significance as a power station.
Jovenville creates design elements to promote the third season of the popular Netflix show and to help extend the brand
Superunion helps spread the message that Apple and the London Symphony Orchestra are partnering to bring classical music to new audiences via exclusive content on Apple Music.
Alexandria Ocasio-Cortez waged an outsider campaign with an identity that emphasized grassroots activism and multiculturalism.
Mohawk is the exclusive distributor of of Keaykolour by Arjowiggins Creative Papers, a quality uncoated grade with a range of of 43 fresh colors.
TimesTalks, a live conversation and performance series organized by The New York Times, introduces a new identity developed by the New York office of Base. With lots of type and color options, the system is flexible within a coherent system.
The emotion of the crowd is the inspiration for C&G Partners’ design of “Comeback Season: Sports After 9/11,” a new special exhibition opening soon at the National September 11 Memorial & Museum.
SVA Design faculty and alums are spreading messages of love and tolerance in NYC subway stations in anticipation of NYC Pride events.
Susan Jackson Keig, an internationally noted graphic designer and art director for over seven decades, has died. She was active to the age of one hundred.
With growth on the horizon, member-owned photography and cinematography co-op Stocksy United has removed its membership cap.
Creative agency FF New York launches a new global advertising campaign for Stoli Vodka that is scored by Hans Zimmer and shot by Oscar nominee Rachel Morrison.