Dolby Labs asked 22 artists and designers to create artwork that plays off its familiar Double-D logo. Pentagram, Gretel, Mucho and Young Never Sleep studios are among the participants.
Creative branding agency Loyalkaspar teamed with SYFY to create an updated visual identity for the network across all linear, digital, social and experiential platforms.
Working with Darien Rowayton Bank, Brand Union has created an online loan service called Laurel Road. The brand reflects optimism for students and young professionals looking for freedom from debt.
GroundTruth, which specializes in location technology, has rebranded including a new name and new visual identity developed by Siegel+Gale.
Bruce Mau Design (BMD) developed all touchpoints for Stellar, a high performance makeup that takes its brand story from the cosmos.
Franke+Fiorella has helped revitalize and build equity in the Questar, a leader in educational assessment and testing. The solution included a clearly articulated brand strategy and architecture, and a simplified brand portfolio.
For a leader in contact center solutions, Landor crafted a new identity and brand that captures the adaptability and fluidity of human conversation.
Structural Graphics has launched an inspirational website for graphic designers entitled SG Unfolded. it showcases innovative designs for dimensional printing that are intended to please and inspire.
The recent refresh of the CLASSIC® Papers portfolio was more than a year in the making. Neenah Brand Manager Kathy Kemps and design partner Pum Lefebure of Design Army provide answers about this ambitious undertaking.
Cooper-Hewitt, Smithsonian Design Museum announces National Design Award honorees in 11 categories of various disciplines including Communications Award winner Jennifer Morla.
In June, the U.S. Postal Service will release first-of-a-kind stamps with the look and feel of actual balls used in eight popular sports.
This issue explores the ebb and flow of partnerships from 18th century patrons to 21st century communes.
Chermayeff & Geismar & Haviv creates the visual identity for the Leonard Bernstein Centennial in 2018. The symbol combines a bold red “B” and a specially drawn G-clef.
Vincent Romeo designed the graphics for Major League Baseball’s 2017 Spring Training with summer camp on his mind.
McDonald’s plans new monochrome uniforms for its 850,000 employees in the US. The company positions them as comfortable and proud. Social media sees a dystopian.
Jones Knowles Ritchie (JKR) is helping to mark the 50th anniversary of the iconic Beanz Meanz Heinz slogan with limited edition packaging in the UK.
With the release of their third album, Terrible Human Beings, American rock band The Orwells turned to O’Keefe Reinhard & Paul for a cover design that gave meaning to the music.
Poulin + Morris created a comprehensive approach to presenting information with dimensionality; nothing is flat or conventional in this program for Route 128 corridor complex called The District Burlington.
The AIGA has named five new board members and Dana Arnett will work closely with Su Mathews Hale in a presidential transition.
School of Visual Arts has promoted Gail Anderson to Creative Director of the Visual Arts Press (VAP), SVA’s inhouse design studio.
To give creative more pop, the new Adobe Stock collection is full of bold and unusual color combinations.
Nickelodeon is debuting via Superestudio, a brand refresh of its on-air and online look that seeks to make the world a more playful place.
Design Army kit welcomes new members and elevates membership in the Academy of Motion Picture Arts & Sciences.
In connection with International Women’s Day, P&G and agency Badger & Winters is running a corporate umbrella campaign against gender bias.
Brand Union has rebranded Tyson with a weathervane to hearken back to the family farm, and to support new antibiotic-free and sustainability initiatives.