A new national campaign for Café Bustelo from Publicis Groupe boasts bold, minimalist illustration-style visuals, with a retro poster feel and a nod to brand authenticity.
DDW has helped reinvent the Energizer brand with a lighthearted Energizer Bunny and a highly strategic new packaging system.
The Android operating system now runs 2.5 billion devices; a brand refresh from Huge and Google focuses on a mobile-first digital experience.
In collaboration with Publicis Seattle, nine Special Olympics athletes developed the logo for the 2022 USA Games. ‘We felt it was never our logo to create’ says Executive Creative Director Pete Kearney.
To commemorate the 50th anniversary of the moon landing, the Smithsonian’s National Air and Space Museum launched an ‘Apollo At the Park’ campaign and enlisted Spaeth Hill to design the logo and branded package.
2019 marks the 17th year of this one-of-a-kind report from LogoLounge. Each year, founder Bill Gardner offers the opportunity to review thousands of logos one at a time, looking for emerging trends.
The SUNY College of Optometry recently completed a strategic planning exercise and turned to Trillion for help in share its plan for the future.
Pentagram’s 2019 look for Shakespeare in the Park is fun and playful, with skewed bands of typography layered on color shapes in a Pop art palette, inspired by circus posters, bubble gum and Wonder Bread.
Pentagram Partner Paula Scher has been named the 2019 SEGD Fellow “for promoting the highest values in environmental graphic design and significantly contributing to the direction and growth of the field.”
Volkswagen is addressing its emissions reporting scandal and introducing a “Drive Bigger” branding that looks to a positive and sustainable car-making future.
Trulia has a new visual identity that takes it beyond simple real estate listings to provide a sense and aflavor of the neighborhood.
Y&L’s campaign for the brand takes from Robert’s design signature of cutting on the bias and designing the duality of structure and flow, which is core to the concept for the identity and branding.
KASA created four permanent interactive exhibitions that will foster visitor engagement and learning on many sensory levels.
Ragged Edge checks in with an unusual, even quirky, rebrand for Qbic, a series of affordable hotels that celebrate individuality and welcome character.
Stitzlein Studio developed a warm and human brand identity for Cloudera, a rising data analytics firm, in an industry known for unemotional marketing.
For the past eight years, Isley Designers has worked with TEDMED to develop distinctive visual approaches for their annual gatherings, interpreting each year’s theme in a unique way.
UNO Branding (UNO) is proud to announce the new brand identity of The Smithsonian Latino Center, (SLC) a center that promotes Latino presence within the Smithsonian.
Seattle-based design firm MCD designs graphics and signage for the new King County Public Defenders Offices in the historic Dexter Horton Building.
The ABA worked with marketing agency Finn Partners, which Rives said went through dozens of possibilities before recommending the new logo design.
bthere campus safety app, designed by Handsome, collaborates with It’s On Us to push back against sexual assault on campuses.
Creative industry veteran Brianna Wettlaufer has been named Head of Content for Adobe Stock. She brings vast experience with both start-ups and creative-focused companies.
Custom-Designed Font Family, Alibaba Sans, Opened to Alibaba Partners and Customers at No Cost to Power On-Brand Designs.
Post Typography created a provocative promotional campaign for a lecture series on art, race, and social justice at the Baltimore Museum of Art
M∙A∙C Cosmetics celebrates 25 years since the brand started its fight against HIV and AIDS with the launch of the iconic VIVA GLAM Lipstick.
Facebook is redesigning its website and app to be more spare and to emphasize group connections. The ultimate goal is trustworthiness.