Lisa Strausfield will be at MICA for two days in March as the Wm. O. Steinmetz ’50 Designer-in-Residence, starting with a public lecture on March 11 at 7 pm.
Chermayeff & Geismar & Haviv has designed a new simplified and abstract logo for Mercy For Animals, a non-profit founded by Milo Runkle to protect the rights of animals.
Pentagram has collaborated with The Knot to design a new visual identity that is more modern and inclusive. It is being implemented across digital platforms and a quarterly magazine.
Here Design creates a modern, intelligent and approachable look for medical cannabis online education platform, featuring a logo that combines the cannabis leaf with the medical cross.
Retail Voodoo has expanded its team with Frazier’s new position. She will focus on uncovering opportunities for client growth in the food and beverage categories.
Jan Tschichold and the New Typography: Graphic Design Between the World Wars is a Bard Graduate Center Focus Project on view now through July 7.
Publisher Gordon Kaye on GDUSA’s 2019 People To Watch. And why, in this dumb and divisive time, he is feeling a bit better about where we are and where we are going.
NY-based creative agency Gradient has expanded, merging with LA-based social and digital agency Little Arrows and adding Jennifer de Fouchier as Executive Creative Director & Partner.
Detroit-based Quicken Loans worked with Lippincott on a redesign for their Rocket Mortgage product and its affiliates.
Peopledesign, a strategic design consultancy located in downtown Grand Rapids MI, has recently made Jake Himmelspach a partner.
Throwback or flashback? Regional advertising inserts in San Francisco area issues of Rolling Stone magazine, for Revive Kombucha, are printed on LSD blotter paper.
Aer Lingus’ new brand livery reflects the airline’s position as a modern and contemporary Irish brand. The refresh comes more than 20 years after the previous brand change.
With help from Pentagram, Mastercard has dropped its name from the familiar interlocking circles brand mark. The goal is to become a symbol brand like the Nike swoosh, Target bullseye, and Apple apple.
Acclaimed designers Sagmeister & Walsh explore the essence of beauty and the transformative power of beautiful design.
Burns Group develops a witty “Anything But Flat” campaign for Pura Still, a still spiked water, that lauds the lack of bubbles.
Boston-based Toth+Co has appointed Kimberlee Eten as Creative Director to lead its teams in Boston and in New York, where she is based.
To advance Comedy Central’s new branding mantra, Everything Is Content, loyalkaspar created simplified concise language tailored to platform and user, supported by the Comedy Sans custom typeface.
The Minnesota Organization on Fetal Alcohol Syndrome has been rebranded by 10 Thousand Design as the Proof Alliance so that it can better share its message with a broader audience.
Pentagram’s environmental graphics for Scholastic’s corporate headquarters celebrate iconic children’s book characters in a series of artworks and installations.
Bank of America’s Flagscape logo gets its first update since being introduced in 1998, reflecting a more modern brand that delivers both cutting-edge technology and high-touch solutions for clients.
Chermayeff & Geismar & Haviv create the branding for Hitco, a new entertainment label dedicated to producing chart-topping music.
C&G Partners designed this exhibit, which illuminates the story of the effort to bring thousands of Jewish children from Nazi Germany to Great Britain between 1938 and 1939.
Alexander Isley helps Philo Ridge Farm, a diversified working farm that integrates livestock, orchards, gardens and community events, to develop a brand and identity system that spreads the word about their mission.
For it’s third volume, DROME magazine worked with acclaimed creative director William Richmond-Watson on art direction, as well as creative development, strategy, positioning and identity.