Throwback or flashback? Regional advertising inserts in San Francisco area issues of Rolling Stone magazine, for Revive Kombucha, are printed on LSD blotter paper.
Aer Lingus’ new brand livery reflects the airline’s position as a modern and contemporary Irish brand. The refresh comes more than 20 years after the previous brand change.
With help from Pentagram, Mastercard has dropped its name from the familiar interlocking circles brand mark. The goal is to become a symbol brand like the Nike swoosh, Target bullseye, and Apple apple.
Acclaimed designers Sagmeister & Walsh explore the essence of beauty and the transformative power of beautiful design.
Burns Group develops a witty “Anything But Flat” campaign for Pura Still, a still spiked water, that lauds the lack of bubbles.
Boston-based Toth+Co has appointed Kimberlee Eten as Creative Director to lead its teams in Boston and in New York, where she is based.
To advance Comedy Central’s new branding mantra, Everything Is Content, loyalkaspar created simplified concise language tailored to platform and user, supported by the Comedy Sans custom typeface.
The Minnesota Organization on Fetal Alcohol Syndrome has been rebranded by 10 Thousand Design as the Proof Alliance so that it can better share its message with a broader audience.
Pentagram’s environmental graphics for Scholastic’s corporate headquarters celebrate iconic children’s book characters in a series of artworks and installations.
Bank of America’s Flagscape logo gets its first update since being introduced in 1998, reflecting a more modern brand that delivers both cutting-edge technology and high-touch solutions for clients.
Chermayeff & Geismar & Haviv create the branding for Hitco, a new entertainment label dedicated to producing chart-topping music.
C&G Partners designed this exhibit, which illuminates the story of the effort to bring thousands of Jewish children from Nazi Germany to Great Britain between 1938 and 1939.
Alexander Isley helps Philo Ridge Farm, a diversified working farm that integrates livestock, orchards, gardens and community events, to develop a brand and identity system that spreads the word about their mission.
For it’s third volume, DROME magazine worked with acclaimed creative director William Richmond-Watson on art direction, as well as creative development, strategy, positioning and identity.
San Francisco-based global creative company Moving Brands appoints David Cameron as Creative Director. He is working with AI and mixed reality to enhance media engagement.
As the dining market has become increasingly competitive, Interbrand is helping Buffalo Wild Wings maintain its position as the sports bar for game day experiences.
United Way of Canada utilizes a special Pantone color to raise awareness about issues of poverty and inequality.
Our 32nd annual Stock Visual Reader Survey reaffirms that almost everyone uses stock imagery, is using more of it, and is mostly satisfied with its quality, quantity and direction.
A new “bridge of hope” brand and positioning by Starfish for ADL clarifies and elevates the organization’s 21st century mission.
Odgis + Co. designs the 2018 Shearman & Sterling Corporate Governance & Executive Compensation Survey, using infographics and powerful photography to make the complex simple and clear.
To mark Mailchimp’s new era of growth, COLLINS has doubled down on the spirit of humor and playfulness that marks Freddie the chimp.
Dunkin Donuts’ has revealed its new identity, signaling the start of a journey that will see the brand recognized simply as Dunkin’.
Desire By Design is a new book by industry veteran Jean-Pierre Lacroix which explains how to drive desire for a brand.
PRINT 18® is celebrating its inaugural Red Hot Technology Program recognizing game-changing print and design technologies. The tradeshow is set for September 30 – October 2 in Chicago.