A holiday card and mailer for Colle McVoy encourages giving to the WWF by bringing animals to life with augmented reality. The festive interactive experience is designed by 10 Thousand Design.
C&G Partners designed the Hunt for Bin Laden exhibit at the September 11 National Museum; it unfolds as a (horrific) crime story.
The new logo for the Chicago Fire Football Club was designed by Doubleday & Cartwright. It features a mirrored icon in which flames are inverted to become a crown.
Pioneer travel retailer Hudson is now much more. A new logo and brand from Siegel + Gale captures the journey.
Gill Fishman, a talented, successful, smart and empathetic graphic designer, fought a valiant, three-year battle with cancer that ended peacefully this week.
The Association for Print Technologies (APTech) has launched a quarterly magazine launches to empower higher education marketers.
Experience design agency HUSH adds multidisciplinary visual storyteller Garrett Johnston as a Creative Director.
Tobias Frere-Jones has been named this year’s Wm. O. Steinmetz ’50 Designer-in-Residence at MICA. It features a public lecture October 29 at 7 pm on campus.
Level Group has designed a website for Express Newark that invites and promotes collaboration between the Newark and Rutgers University communities.
Sappi North America, Inc. has named 2019 recipients of its annual Ideas that Matter grant program. Celebrating its 20th year, the program provides funding to support the production and distribution of social impact print projects with integrated campaigns.
Burger & Lobster reveals a series of murals created by brand design agency Vault49 to help the New York restaurant stand out in the Flatiron District.
Pentagram has named, designed, branded and set the tone for a new print journal that seeks to bring the Netflix experience to readers.
Pentagram has worked with Yahoo on a refresh of its visual identity that emphasizes the exclamation point to embody the platform’s amplification strategy.
Bonfire Labs is behind a guerrilla-style activation where baseball card-like images of forgotten suffragettes were AirDropped to random people’s mobile phones in San Francisco.
Justworks and Frank Collective have developed a campaign that emphasizes the importance of workplace happiness for the HR tech company.
Jan Šabach honors the works of his father Petr Šabach (1951–2017), a well-known Czech writer, with a series of colorful, optimistic, and dynamic book covers.
The Pantone® Fashion Color Trend Report Spring/Summer 2020 features the top 12 stand out colors, as well as current takes on the four classic neutrals you can expect to see on the runway.
GDUSA 33rd Annual Stock Visual Reader Survey continues our documentation of this important and evolving designer resource
Jessica Walsh, of Sagmeister & Walsh fame, has launched her own creative agency &Walsh. She joins a handful of female agency heads and hopes to help open the door for others.
Adobe’s new UX Designers to Watch program, in its inaugural list, is spotlighting ten UX designers who are still relatively early in their careers, but already pushing the profession’s boundaries.
DDW has helped reinvent the Energizer brand with a lighthearted Energizer Bunny and a highly strategic new packaging system.
The Android operating system now runs 2.5 billion devices; a brand refresh from Huge and Google focuses on a mobile-first digital experience.
In collaboration with Publicis Seattle, nine Special Olympics athletes developed the logo for the 2022 USA Games. ‘We felt it was never our logo to create’ says Executive Creative Director Pete Kearney.
To commemorate the 50th anniversary of the moon landing, the Smithsonian’s National Air and Space Museum launched an ‘Apollo At the Park’ campaign and enlisted Spaeth Hill to design the logo and branded package.
2019 marks the 17th year of this one-of-a-kind report from LogoLounge. Each year, founder Bill Gardner offers the opportunity to review thousands of logos one at a time, looking for emerging trends.