Obsession approached Watermark to update the wine brand for a younger audience. A unique typographic pattern lets the aluminum, and the sun, shine through.
BrandOpus has reestablished Cracker Barrel Cheese as a premium offering within the category with new branding and packaging.
Discovery came to Roger looking to redesign their global brand, beginning with a new logo system, and extending out to a new identity that would cross platforms and reach over 220 countries.
Trulia has a new visual identity that takes it beyond simple real estate listings to provide a sense and aflavor of the neighborhood.
Today, print is a choice and an option, and our survey has evolved into an existential probe of the role and purpose of print today.
M∙A∙C Cosmetics celebrates 25 years since the brand started its fight against HIV and AIDS with the launch of the iconic VIVA GLAM Lipstick.
Health & Happiness Advertising Agency LRXD has created new packaging for Growers, a Colorado company that sells soil and nutrients designed to grow the most verdant cannabis crops.
The 2019 list of our favorite programs and institutions that prepare students to work in professional graphic design.
Publisher Gordon Kaye on GDUSA’s 2019 People To Watch. And why, in this dumb and divisive time, he is feeling a bit better about where we are and where we are going.
Throwback or flashback? Regional advertising inserts in San Francisco area issues of Rolling Stone magazine, for Revive Kombucha, are printed on LSD blotter paper.
With help from Pentagram, Mastercard has dropped its name from the familiar interlocking circles brand mark. The goal is to become a symbol brand like the Nike swoosh, Target bullseye, and Apple apple.
Pantone has announced the Color of the Year 2019: an animating and life-affirming coral hue that nurtures and reconnects us with nature.
Chermayeff & Geismar & Haviv create the branding for Hitco, a new entertainment label dedicated to producing chart-topping music.
Wired’s 25th anniversary cover balances the tension between past and present with a grid made from past magazine spines. Original designers Plunkett + Kuhr were brought in to create the celebratory one-off cover.
Retail Voodoo created a new logo that represents the past, present, and future Yakima Chief Hops, a grower-owned supplier of American style hops to the world.
GDUSA spotlights designers who embrace responsibility writ large in terms of how sustainably they create and produce, as well as how, when, why and for whom they work. A special thanks to exclusive sponsor Domtar.
Our 32nd annual Stock Visual Reader Survey reaffirms that almost everyone uses stock imagery, is using more of it, and is mostly satisfied with its quality, quantity and direction.
Sponsored by Mohawk Paper, the 2018 Digital Print Cover Contest gives designers an opportunity to learn more about digital printing and paper selection for enhancing digitally printed projects.
Dunkin Donuts’ has revealed its new identity, signaling the start of a journey that will see the brand recognized simply as Dunkin’.
Weight Watchers has changed its branding to win more of the booming health and wellness market, though social media has shown an appetite for brand-shaming the company.
The Butler Bros creates a brand for Austin’s prospective Major League Soccer team that focuses on iconic symbols of the city and the color green.
Young & Laramore created a social media-first campaign for Goodwill of Central and Southern Indiana that asks local artists to transform donated garments into their own unique designs.
Conditions in the advertising industry are unsustainable for women trying to start a family and stay sane, says CCO Danielle Trivisonno Hawley.