JESS SAND
Jess Sand runs Roughstock Studios, a solo communications
practice (and certified San Francisco Green Business) that provides
copywriting, design, and communications planning to
independently-minded organizations.
As partner and content lead for the online sustainable graphic
design toolkit Re-nourish.com, Sand works to make sustainable
design information more accessible to graphic designers.
Re-nourish has undertaken the challenging task of developing
a new definition of "good design," one that addresses, in realistic
terms, the social and environmental impacts of design
work. The project was one of the top three finalists for the recent
Cooper Hewitt People's Design Award, and continues to
move the industry beyond politics, personalities, and trends by
putting independent tools and information into the hands of
working designers everywhere.
With a deliberately non-corporate background that includes
stints as a prep and line cook, a bookkeeper, office overlord,
honky tonk DJ, marketing manager, and bartender, Sand tries
to reconcile the inherent challenges of commerce and culture
in her work. She has a BA in creative writing and a certificate
in sustainable business management, and her writing and design
has been published in numerous books, magazines, and
online publications.
Where were you born, where do you live, did this effect
your design style or sensibilities?
I was born and raised in Boston;
I've lived in San Francisco for over a dozen years now. But because
my father was an exhibit and museum designer who believed heavily
in hands-on, experiential learning, I spent a lot of time in children's
museums, art museums, science museums, all over the
country. That, more than any geography, really taught me about
design thinking (before I really knew what "design thinking" was).
If you were not a designer, what would you be?
Forensic photographer. Tavern owner. Writer of bad poetry. Tri-county Jumble
Champ.
What is your design process, do you sketch first, go to
the computer, take days off to get inspired?
My projects
generally go something like this: Write. Sketch. Sketch. Computer.
Sketch. Write. Computer. Computer. Sketch. Question everything.
Computer. Computer. Computer. OK to print.
What is one thing you have done to help weather the economic downturn?
I made a point to reach out to friends and
colleagues, just staying in touch and connected, and I ran into
Eric and Yvette (my Re-nourish partners). All of a sudden my slow
times turned into a pretty huge social venture that has brought us
fame and fortune. And by "fame and fortune" I mean "a massive
workload" ... and some very nice words from a bunch of people we
really respect.
What is your greatest strength and weakness as a designer?
My constant need to question everything.
YOUR DESIGN HERO?
No official heroes. Though I did sleep
under a poster of Seymour Chwast's robot logo for the Brooklyn
Children's Museum as a kid. Definitely gave me colorful dreams.
WORST HABIT?
I cuss like a sailor.
FAVORITE COLOR?
Black (like my soul). Or blue. Even split.
FAVORITE TYPEFACE?
Dunno, but it's well-kerned and has nice curves.
FAVORITE TV SHOWS?
Jeopardy. It's Always Sunny in
Philadelphia. What is "the funniest bunch of degenerates on
TV" for 200, Alex?
FAVORITE BOOKS?
The Poem's Heartbeat by Alfred Korn,
and anything by John McPhee.
FAVORITE MOVIES?
The Hustler. The Blues Brothers.
Caddyshack. Bullitt. The Outsiders. There are many, many more.
FAVORITE MUSIC?
Anything roots. Probably anything on Crypt
Records. I used to be a honky tonk DJ, so my shelves are pretty
well stacked with Waylon and Willie and the boys (and the girls,
we cannot forget the honky tonk angels).
FAVORITE FINE ARTIST?
Paul Klee or Alberto Giacometti
FAVORITE GADGET?
Wine key
BEST GIFT YOU EVER RECEIVED?
A 1936 portable Royal typewriter
ONE THING YOU NEVER LEAVE HOME WITHOUT?
A sense of the absurd
ONE THING YOU CANNOT LIVE WITHOUT?
The crazy
sound engineer who's always baking bread in my kitchen.
TALENT YOU WISH YOU POSSESSED?
The ability to carry a tune.