As we try to cope with pandemics, politics and protests, our 57th Design Annual suggests that out of the crucible we can expect an even more influential graphic design profession to emerge.
Happy Egg Co. has rolled out its first work with The Martin Agency and illustrator Tom Brolga, setting the tone for a significant reposition of the fastest growing egg brand.
David Randolph brings extensive agency experience to Atlanta’s Phase 3, an integrated marketing, PR, creative, digital, print and marketing logistics service provider.
FS Renaissance – a font by Monotype Creative Type Director Pedro Arilla and lettering artist Craig Black – is a single style font which explores the intersection between art and design.
A new cohesive identity by Jones Knowles Ritchie has launched across Heinz’s international brand portfolio. It encompasses more than 20 product categories.
OM cannabis-infused wellness brand now has a redesigned logo and packaging that evokes an uber-luxe apothecary.
A new dachshund-lovers lifestyle brand created by ThoughtMatter features a subtle nod to the uniqueness of the breed.
In the midst of the pandemic, with sports at a halt, freelance designer Andrew Brynjulson launched Sioux Falls FC, the unofficial official football club of Sioux Falls, South Dakota.
Members of the SVA community use their skills to help address a shortage of personal protection equipment during the coronavirus crisis.
Siegel+Gale creates a corporate brand for Bristol Myers Squibb that emphasizes compassionate care and putting patients first.
New from Neenah: an environmental wide format alternative to styrene, which also meets the standards of durability and designer quality.
frog opens a new studio in Mexico City enabling local and global clients in the region to have access to over 50 years of design expertise.
Ferrante Wine partners with The Creative Pack to design a new look for two premium wine varietals, inspired by their Italian heritage.
Alexander Isley develops a bold, simple and distinctive look for Ripley Waterfowl Conservancy, keeping in mind “the world has enough engraving of birds in circles.”
Vermont College of Fine Arts is ‘The MFA That Graphic Designers Deserve’ according to design justice advocate and VCFA guest designer Jessica Bellamy.
Editor and Publisher Gordon Kaye with thoughts on our 2020 People To Watch feature. This column – The Best Way To Predict The Future Is To Create It – was originally published in our Jan/Feb 2020 print edition. GK
Pentagram’s Michael Gericke and team collaborated with TrueCar on a brand identity that makes the experience of shopping for a car more uplifting and less stressful.
The Creative Group Executive Director Diane Domeyer on what’s hot and what’s not for job seekers, employees and employers.
Wolf Olins created the branding and identity for Breast Cancer Now as a complete charity that focuses on both research and care.