One of London’s most popular fast-casual diners has launched an all-new identity that keeps its iconic visual tone but with an NY twist.
Chen Design Associates uses minimal illustration to express natural beauty company Alaffia’s personality through brand identity and packaging.
Today’s desire for healthier alternatives and adventurous flavors led to the creation of Marie’s first sub-brand with naming and design by Chase Design Group.
Jan Šabach honors the works of his father Petr Šabach (1951–2017), a well-known Czech writer, with a series of colorful, optimistic, and dynamic book covers.
The SUNY College of Optometry recently completed a strategic planning exercise and turned to Trillion for help in share its plan for the future.
Pentagram’s 2019 look for Shakespeare in the Park is fun and playful, with skewed bands of typography layered on color shapes in a Pop art palette, inspired by circus posters, bubble gum and Wonder Bread.
Jan Tschichold and the New Typography: Graphic Design Between the World Wars is a Bard Graduate Center Focus Project on view now through July 7.
Cooper Hewitt, Smithsonian Design Museum presents “The Senses: Design Beyond Vision” exhibition, on view through October 28, including an innovative tactile reading system by ELIA.
Willoughby Design explores analog and digital type with the help of six iconic type designers, and the textures and colors of several Neenah CLASSIC brands. “Nothing makes a designer happier than type on paper,” says Ann Willoughby.