Span designed the identity for a new public park — the South Side Sanctuary — in Chicago’s historic Bronzeville neighborhood. The visual identity is intended to reflect the form, expression, and movement in the park’s inclusive architecture and diverse activities of its visitors.
Mars-owned fruit-flavored candy brand SKITTLES is unveiling a brand refresh in collaboration with Elmwood to celebrate its quirky personality and non-conformist tone to fuel product innovation.
Sister Mary designed a limited edition printed publication for an emerging current affairs brand, The Signal. The team partnered to infuse the inaugural issue with the alternative spirit of underground publishing.
The Type Directors Club’s highest honor recognize individuals and institutions who have made outstanding contributions to typography.
Havas has launched Conran Design Group network, a new global offering dedicated to brand and design, which combines talent from its existing Havas-owned Conran Design Group, as well as its ‘W’ – its branding agency in France.
MARIANGELA RODRIGUEZ / TEXAS STATE UNIVERSITY
SOPHIA COLLINS / BAYLOR UNIVERSITY
LIAM GUIRITAN / DEPAUL UNIVERSITY
Applied Design has created a new line for Mockly’s non-alcoholic cocktails. ‘Second Line’ branding and packaging seeks to encapsulate the vibrant spirit, culture and essence of New Orleans.
Sundance, the independent film festival, reveals a new logo and its first full brand identity intended for long-term use. Porto Rocha designed the symbol and brand language to create continuity and flexibility.
A follow up to two highly successful monographs on the work of Neville Brody showcases projects completed since the mid-1990s. Thematic sections address typographic experimentation, information graphics, cultural subversion, and design systems by a creative legend.
The Type Directors Club has announced the winners from 42 countries in its prestigious TDC69 Competition. The top five countries for winners are the United States with 52, followed by Germany with 24, China with 23, Netherlands with 11, and Ukraine with nine.
On the 400-year-anniversary of Shakespeare’s collection of works, the theater’s inhouse design department joined forces with Typeland to create a custom typeface for the season’s posters.
The Type Directors Club’s highest honor recognizes individuals and institutions who have made outstanding contributions to typography. Jan Middendorp is the latest recipient and will receive the medal in May.
The Type Directors Club’s highest honor recognizes individuals and institutions who have made outstanding contributions to typography. This year’s recipient will be Akira Kobayashi of Monotype.
Using glass materials and optical illusions, The Staircase main title sequence builds a sense of uncertainty, dislocation, and the unexpected. Sarofsky is the video production team.
This virtual event has been created to foster dialogue between Native and non-Native type communities, includes presentations, discussions, and workshops. The dates: November 11-12.
Collated in collaboration with Neurons, a new study from Monotype finds that the right type can boost positive reader response by 13%.
Anna Sing, a multi-disciplinary designer based in New York City, went on a frenetic 15-week effort to create four fonts inspired by the history of houseplants.
A collection of work published by Counterprint focuses on how designers can be heard above the noise with an emphasis on typography.
The winners of the Type Directors Club TDC68 Communication Design and 25TDC Typeface Design competitions have been announced. Pentagram and The New York Times Magazine were the most honored.
As we head into 2022, GDUSA looks back on a year of high-profile rebrands, new office and experiential space openings, and a proliferation of flat logos. Here are our top design news stories of 2021.
How can a new brewing company stand out from the crowd? A fresh typographic approach from Pentagram partner Dominic Lippa.
“Life is more fun with a dog” is the theme and positioning for CBX’s rebrand of Milk-Bone product packaging as well as a platform for potential line extensions beyond the iconic biscuit treat.
The Turner Duckworth design agency recently partnered with The Brotherhood Sister Sol (BroSis) to create a new visual identity for the non-profit organization.
Convenience store chain Kum & Go is revealing its new brand identity and communication campaign to add a new, creatively-driven dimension to the on-the-go category.
Affinity Creative Group designed and developed a new digital style and website for Cycles Gladiator Wine. The branding is Inspired by the concept of women’s empowerment.
Monotype type trend report examines the movements shaping the creative community, informing branding, and driving design today and into the future.
New MTN DEW RISE ENERGY will launch with a bold visual identity created by PepsiCo’s in-house design team. A lion logo and LeBron James are in the mix.
Up and coming design studio Kalakatta takes on an ambitious project at the height of the pandemic: 25 logos in 25 weeks.
Independent agency St. John led the charge in concepting, designing and executive all aspects of Wonderbird, a new fast food chicken concept that seeks to close the gap between convenience and quality.
One of London’s most popular fast-casual diners has launched an all-new identity that keeps its iconic visual tone but with an NY twist.
Chen Design Associates uses minimal illustration to express natural beauty company Alaffia’s personality through brand identity and packaging.
O Street helps Denver Distillery reflect the value of handcrafting in their brand with a new logo, typeface, illustrations and a teardrop logo.
Today’s desire for healthier alternatives and adventurous flavors led to the creation of Marie’s first sub-brand with naming and design by Chase Design Group.
Jan Šabach honors the works of his father Petr Šabach (1951–2017), a well-known Czech writer, with a series of colorful, optimistic, and dynamic book covers.
Lay’s newly redesigned potato chip bag has been updated for the social media era.
The SUNY College of Optometry recently completed a strategic planning exercise and turned to Trillion for help in share its plan for the future.
Pentagram’s 2019 look for Shakespeare in the Park is fun and playful, with skewed bands of typography layered on color shapes in a Pop art palette, inspired by circus posters, bubble gum and Wonder Bread.
Discovery came to Roger looking to redesign their global brand, beginning with a new logo system, and extending out to a new identity that would cross platforms and reach over 220 countries.
