Shutterstock FLEX
  • Home
  • News
    • Fresh
    • Package Design USA (PDUSA)
    • People
    • Events
  • Features
    • Educators to Watch
      • 2021
      • 2020
      • 2019
    • People To Watch
      • 2022
      • 2021
      • 2020
      • 2019
    • Students To Watch
      • 2022
      • 2021
      • 2020
      • 2019
    • Top Design Schools
    • Logo Trends Report
      • 2022
      • 2021
      • 2020
      • 2019
    • Responsible Designers to Watch
      • 2022
      • 2021
      • 2020
      • 2019
    • Print Design Survey
      • 2021
      • 2019
    • Stock Visual Survey
      • 2019
    • Surveys
  • Competitions
    • Enter Now
    • Graphic Design
      • 2022
      • 2021
      • 2020
      • 2019
    • Inhouse Design
      • 2022
      • 2021
      • 2020
      • 2019
    • Package Design
      • 2022
      • 2021
      • 2020
      • 2019
    • Digital/Web Design
      • 2022
      • 2021
      • 2020
      • 2019
    • Health+Wellness
      • 2022
      • 2021
      • 2020
      • 2019
    • Cannabis Design
    • Digital Cover Contest
    • Student Design
  • Blogs
    • Graphic Design
    • Products + Papers
    • Hiring + Career Tips
  • newsletters
  • magazine
    • subscribe
    • digital edition
    • free stuff
    • media kit
    • specifications
  • suppliers + services
  • about us
    • who we are
    • contact us

LogoLounge 2018 Trend Report

LogoLounge 2018, Top Stories June 30, 2018August 2, 2018 Gordon Kaye
BY BILL GARDNER, PRESIDENT OF GARDNER DESIGN AND FOUNDER OF LOGOLOUNGE.COM

This year’s logo trends were influenced by a pendulum shift that’s starting to swing from clean, modern aesthetics toward curvy, retro designs that reflect a new attitude through color and embellishments.

Any time we look at trends, we tend to see that there is a pendulum that is swinging. For instance, it’s not uncommon to see an evolution from a flat logo to something dimensional or vice versa. But over the last three years in particular, from a typography standpoint, we’ve seen a transition toward very austere sans serif logos. Google flipped from a serif font to a sans serif, and other major brands like Verizon, Calvin Klein, and Century 21 did the same. Part of what’s going on here is this idea of clarifying the message and conveying transparency. Unfortunately, it also strips these brands of any personality when it becomes too sterile. However, this year, the pendulum is starting to swing in the other direction as a direct reaction.

When everyone moves to this level of simplicity, designers counter it with some embellishment. Very expressive logos are making a comeback, which is a direct result of nostalgia or reboots. We’ve seen it played out on the big screen in Ready Player One and on the small screen in Stranger Things. There’s a thirst for nostalgia and this hearkening to past decades. Designers are dusting off their old font folders, going back to designs that were popular in the ’70s, ’80s, and early ’90s. Letters with big, expressive serifs, similar to a man having a mustache — it’s an added embellishment that changes the viewer’s perspective, perhaps recalling a different time period, but done in a uniquely new way, with modern influences. Millennials are most responsible for bringing these trends back into play, and you see it everywhere with the resurgence of tiki bars and speakeasys, and custom products like shaving kits for men. By going backwards, you can pick and choose what you want to bring forward and blend it with contemporary aesthetics. I’ve seen a lot of brands doing this successfully, and I think it’s just the beginning.

Color expectations have also changed dramatically. Because color mostly lives onscreen, there is a greater intensity in color range because it’s being projected. Colors are merging and blending, and gradients are now part of our color dialogue. A lot of this has to do with apps like Instagram — which, in fact, has a gradation as part of its logo. That’s an extreme example, because it runs the gamut from yellow to pink to purple, but most gradients are very subtle like red shifting toward red-orange, in essence making a new color. People now recognize gradients as colors. This is a trend that will continue to shift and grow.

All three of these movements work together as nostalgia swings the pendulum through different decades and influences color choice and customization. You’ll see a vast array of these examples throughout the report.

It’s important to note that trend is not a bad word, and it doesn’t equate to trendy, as in here today, gone tomorrow. The logos featured here are on the outer-edge, influencing the next big thing. Much of it is experimental, which ultimately pushes design to the next evolution. We all live by trends — whether it’s fashion, food, or design. We like them and we adopt them because they make life more diverse and fun, even as they evolve and change. The key takeaway from this is not to imitate, but to find a way to push these ideas forward and make them your own.

ABOUT THE 2018 LOGO TREND REPORT >

2018 marks the 16th year of this report and again offers us the opportunity to literally review thousands upon thousands of logos one at a time looking for the nuances and artifacts of emerging trends. As we acknowledge that each design represents hours and hours of thought and struggle from designers around the world, we are as humbled and awed as ever by their dedication to the craft and grateful for the important role they play in helping us create these reports. So thank you to all of the designers who have and will contribute to the Trend Reports then, now, and for years to come. A special thanks to that group of designers we lean on for their personal observations and guidance included here within.

For an even deeper look at this year’s trends, visit our learning course on LinkedIn Learning (formerly Lynda.com).

ABOUT BILL GARDNER >

Bill Gardner is the president of Gardner Design and founder of LogoLounge.com, a repository site where, in real time, members can post their logo design work and search the works of others by keyword, designer’s name, client type, and other attributes. The site also offers articles and news written expressly for logo designers and much more. Bill can be contacted at bill@logolounge.com.

ABOUT LOGOLOUNGE >

LogoLounge.com is the most comprehensive and searchable database of logos available today. More than 272,000 logos have been submitted to the site since 2002, growing it to the largest online treasury of professionally designed logos. Through their submissions, members also gain the benefit of consideration for publication in the LogoLounge book series, the best selling graphic design books series in the world.

Through the line of LogoLounge books (currently published in volumes 1 through 10), designers can gain even more insights from a collection of the smartest logo designs submitted to LogoLounge from all over the world and hand-selected by a prestigious team of some of the most respected names in the industry.

In 2016, LogoLounge took a giant step forward as it extended membership to the next generation of designers with Logo­Lounge Leap, which allows educators and students free or deeply discounted access to the site as well as online resources and educational tools.

For more information on membership and identity design news, visit LogoLounge.com.

15 Trends From The LogoLounge Report

Tumbled Parallelogram
Outline Neo-Vintage
Modern Religion B/W Hipster
Est Trd Mrk Blurple
Gold Fatty Fade
Linear Fade Field Lines
Cut Punctuation
Serif Redux

About Gordon Kaye

View all posts by Gordon Kaye →

Post navigation

55th Annual Print Design Survey
Mohawk Offers Line of 43 Uncoated Colored Papers
Full Sail - Design Your Future
Want to Win?
One Show 2023
Newhouse
Artisan
Academy of Art University
Verso is now Billerud - Take a Look
Type Directors Club
Running Ahead for Fifty Years
Syracuse University
Art Directors Club
Work Experience Can Apply to Your Degree
Mohawk
Copyright © 2023 by Graphic Design USA. Theme: DW Focus by DesignWall.
Proudly powered by WordPress